Amy Rodgers is a student at the University of Glasgow undertaking an M.Res in Law. Her thesis concerns the effects of Queer theory, actual and potential, on gay and transgender legal rights and the role of law in legal theory.
Asked and answered by Michel Foucault in his introduction to Herculine Barbin:
“Do we truly need a true sex? With a persistence that borders on stubbornness, modern Western societies have answered in the affirmative. They have obstinately brought into play this question of a “true sex” in an order of things where one might have imagined that all that counted was the reality of the body and the intensity of its pleasures.”
Kate Holliday considers whether female artists in the entertainment industry are empowered by their hyper-sexuality, or simply being exploited in a 21st century fashion.
As a young, feminist woman in this advanced age of female sexuality, I am initially thrilled at the attitudes being flaunted by so many females in the entertainment industry. From Miley Cyrus’ unabashed twerking and nipple pasties, to Nicki Minaj’s ‘Anaconda’ video and sex-oriented rap lyrics, to Beyoncé’s pole dancing with “FEMINIST” emblazoned behind her – we have entered a new era in which the sexual power of women is acknowledged and celebrated. And…exploited?
Daniela Pichardo writes a personal essay about her evolving relationship with feminism.
As a girl, I didn’t even know what feminism was. All I knew is that I liked the Thundercats, I played with swords, I wanted to be a Chemist, I had several scabs, my favourite colour was blue, and I thought boys’ toys and clothes were so much cooler than girls’.
Ellen MacAskill chats to Josephine Sillars ahead of her upcoming show.
Josephine Sillars’ music combines lyrical narratives about love and growing pains with piano and haunting vocals, ‘anti-folk’ attitude with Regina Spektor’s theatricality.
Power demands us to acknowledge who has it and who does not. Power demands we use it or we fight for it. Power is like a dollar: it may as well be a million if you don’t have any. Power is assigned to us in a quantity, and it is in the lack of it that we yearn for it the most. When we assume something is assigned to us, we lend ourselves to accepting only what we are given.
Rachel Cunningham writes a response to the movie Selma, talking about how powerful the collective spirit can be.
Feminist electro-pop artist Gaptooth, AKA Hannah Lucy, explains why her latest music video addresses themes of love, power and justice.
In a culture which idealises romantic love – or a particular, monogamous, hetero-normative version of it – we often don’t like to think of coupledom as being anything to do with relationships of power. Yet the old feminist maxim that “the personal is political” forces a recognition that power struggles are pervasive in matters of love. From agreeing on who should do the washing up to deciding whether to have children and how many, many of these struggles are inextricably linked to bigger, deeper systems of oppression based on gender, class, race, and other structures of inequality. This week, I’m releasing a exploring how modern patriarchy affects all aspects of our everyday lives, including dating and relationships.